22/04/2014

On the recent offerings brought to us by Momusu...

So, due to my belated realisation that I hadn't seen a numbered Momusu album in quite a while and looking into it, and then realising (belatedly) that they'd actually just bundled a shitload of recent singles onto a best-of (which I refuse to review), I have decided to do a rather late review of the last year and three quarters of Momusu singles. Which, due to the huge amount of double and triple a-sides actually works out as about an album's worth of material. Brilliant. And as a bonus you also get to hear me rant about the PVs.

So, where was it that I left off with Momusu? After the slightly disappointing 13 Colourful Character album I guess. I did touch on some subsequent releases on Beats, which are also here now as well, but I'm ignoring that because I might have gained some insight in the intervening time, or I may not. Not entirely sure, but we'll find out. I'll also listen to the Bsides (if there are any) and pick out any interesting ones, or ones that just pique my interest in some way.

So...

Wakuteka Take a Chance




This was basically the true beginning of the whole "formation dance" shtick. It wasn't until later that it sort of took off, but this laid the foundations. It also shook off the lengthy process of change under Gaki's leadership which resulted in a series of shit singles, to something that wasn't as shit. Tsunku, weirdly, opted to continue in roughly the same direction he had taken in Ren'ai Hunter and One Two Three, and then polished it so that the melodies regained some prominence, and kicked his arranger until the bass sounds pummelled you and the high-pitched synths didn't sound weedy and shit, which is basically all that was needed. The vocoding was still present, the sparkles hadn't gone away, but at least now there was a direction. And less Aika. The song also began a process of increasing progression. If you listen to One Two Three (I know, it's hard, but I have to make you suffer to make you understand), it follows a basic Intro-A Melo-B-Melo-C-Melo-Chorus structure. A Melo, B Melo and C Melo being the Japanese ways of saying "verse", "preprechorus" and "prechorus". Wakuteka has Intro-A Melo-B Melo (stop, stop, yamete)-C Melo (weird chromatic bit)-D Melo (vocoded atonal bit)-E melo (Wakuteka take a chance)-F Melo (prechorus)-Chorus. So quite an extension, and it's continued through to the present in some songs. Overall I don't mind the song. The PV is quite a normal greenscreen danceshot/closeup/sparkles thing, but the greenscreening this time includes Matrix code and prison bars, so it's going in the right direction.

Song: 8/10
PV: 5/10

Bside standout: Futsuu no Shoujo A
Why hello Ali Project. Apologies for the shitty clipping on the youtube video. It was either that or one in 128kbps. Neither option is good. But the song makes up for it by winning.

Help Me!!



You know, it's been nearly six years and I still can't see this title without thinking of Sayu's most interesting contribution to a Momusu single ever. Joking aside, this is where the shit got real in regards to the formation dancing, and also where H!P decided to waste their entire budget on greenscreen backgrounds and completely forget about such simple things as editing, direction and costume design. Songwise it marked the first appearance of Orange GoblinOda Sakura, and a continuation of the experimentation that started with Wakuteka of more sections, weirder scales, and also introduced some jarring counterpoint. Only just short of calling that intro bit a cross-rhythm, because it does resolve. The cost of this greenscreen continues to disturb me. Surely would have been cheaper to buy a set of lights and just shoot in the actual locations. Unfortunately the chorus is pretty shit otherwise this could have been quite interesting. Also the spamming of syllables taken out of context and liberally spattered across the song distract from it rather than add to it. Mid-8 is also slightly a letdown. It seems to be building up to something and then just ends up at the aforementioned lacklustre chorus.

Song: 6/10
PV: 4/10

None of the Bsides are any good.

Brainstorming



This song is quite nice. It started the trend of Engrish subtitles on videos though, which I'm not particularly fond of, but also 1080p, which I am fond of. The riffs in this are quite interesting, addition of a breathy synth aside. There's a bit of an organic feel to some of the bass synths in it, almost analogue. Again, there's some long assed structure building up to the chorus. I sort of lose count of them all. The PV is completely uninteresting, though the dance includes Sonna no kankei ne! so that's amusing. Dat guitar squeal always gets me. Also Ayumi and Riho fight is pretty win. Tsunku's instruction to the girls during some of the solo parts (Oda and Reina's in particular) must have been "ham it the fuck up". They actually succeeded. Not quite Wakamoto-level, but no one really is.

Song: 9/10
PV: 1/10

Kimi Sae Areba Nanimo Iranai



At least they found a use for Pyokopyoko Ultra's outfits. This song is a lot less complex melodically and in terms of the arrangement than the last three, but somehow pulls together despite (or perhaps, because of) that. Obviously there's still the elements here and there, like the buzzsaw synth flitting from ear to ear in one section (lost count again, think it's the preprechorus), and the melody works, basic though it is. The section spam is becoming cliché, Tsunku seems to get one idea and then run with it for years and years. 2000 people on the dancefloor is too many though. Need to get rid of some. PV is again abysmal. Must have spent all the budget on Help Me.

Song: 6/10
PV: 1/10

Bsides: Tokimeku Tokimeke presents such a eurodance Basshunter-esque chord progression at one point I have to check to make sure the track hasn't randomly cut out halfway through.

Wagamama Ki no Mama Ai no Joke



z0mg they're actually on a location. Even though it is only in a concert hall. The song has spammed vocoders too much, and there's some reintroduction of brostep-synths at the beginning, but the intro itself isn't that painful. The percussion in the prechorus adds some aggression. And what's this? No C, D, E, F Melo and straight into the chorus? Also Sayashi beating up Mizuki? Intriguing. Last note of the chorus is pretty shwing. Also them black trouser outfits pretty shwing. Mizuki gets revenge in the second chorus. The mid-8 with broken guitar and vocoded voice is really weird but interesting, though I wish it had built into something that wasn't the chorus. PV itself is pretty boring, just dance shots and closeups, only in a location and with two costumes. Still, at least Tsunku didn't lose the ability to create a song without six or seven sections leading to the chorus. The broken-down simplicity probably gains this one marks, rather than loses them.

Song: 7/10
PV: 3/10

Ai no Gundan



For a song with "Military Corps" in the title isn't not very martial. Too much sax, and not the good kind. Also still too much vocoding. Also the sparkles make their reappearance. The B Melo (Fukumura and Sato lead) is pretty good. Then Riho's "owwwww!" is cute. Chorus doesn't really feel like a chorus, more like an extended prechorus that never builds to anywhere and then when they actually say the title you feel oddly let down. The dubstepped mid-8 is also a bit of a let down, never quite brutally ruining your pelvis. Sayu's little buildup is more proof that she's the only person with a voice so bad she can be identified through both autotune and vocoding. PV actually has contrast between the red and black sparkly bit and the white sparkly bit, which makes a change.

Song: 5/10
PV: 4/10

B-sides: Nothing of any note.

Egao no Kimi ha Taiyou sa



So, horrendous use of Engrish in the title aside, what the hell is happening in this PV? Looks like they spent all the budget again. Still impossibly hard to pick them out from the background. Starts out sounding like it could be a decent song, then the verse comes in with some ridiculously rubbish "urban" rhythms and boring chord progressions, along with the most boring melodies since Seishun Collection. In fact this is basically the Colourful era's Seishun Collection. Just with less horrific costumes. There's basically no merit in this musically, it just sort of goes from part to part with no rhyme or reason. About the only thing worth remembering is the intro, and that only because it's less lacklustre than the rest. Mid-8 sounds like someone clonestamped the synths and melody from Bouken Desho Desho and then ruined it.The PV is again too far greenscreened. Or whitescreened in this case. Lesson in melancholy.

Song: 2/10
PV: 2/10

Kimi no Kawari ha Iyashinai



Them outfits, what were the designers thinking? Some more energy in this one, a bit more interest musically as well, though overdosed to hell on vocoders still. Back to Tsunku's extended "do as many sections before chorus as possible" thing. PV is once again ridiculously cheap. Guess the budget goes on one PV per 4 singles at the moment. There's nothing much to pick out in this song as being particularly interesting, nor to mark out as horrendously awful. It all just sort of fits, a perfectly non-distracting noise to have on in the background.

Song: 5/10
PV: 3/10

What is LOVE?



My first thoughts on this song were of abject disappointment that it wasn't a cover of a certain legendary 80s tune. However, disappointment subsided as I was treated to frankly a mesmering hyperpaced EDM track of awesome. I've mentioned before that a high BPM is often enough to mask over any imperfections. In this case, maybe the verse arrangement is a little sparse, the wubbing is distracting and the shouting before the chorus is disturbing, but none of it actually distracts from the song, which just powers on regardless. The song is short as hell but it wins. The PV is just a shitty live PV, honestly if they were going to pick one live performance to turn into a live PV of it they should have gone for the greatest wakeup prank in history which resulted in the best Momusu performance ever.



Song: 10/10
PV: 1/10
Wake up prank: 11/10

There were no Bsides.

Toki wo Koe Sora wo Koe



Well, what to say about this? It's obviously flashy as fuck, maybe they kept a bit in reserve for more special effects this time. For a change the greenscreening actually adds something to the PV, I can't actually think of any way they could have achieved this effect without it. The song itself has some glorious violin and piano presets that make me quite satisfied, and though there are things to be said about the arrangement in places (I really dislike the copy/pasting of midnote piano, for example), in general the arrangement is minimal and a complete departure from usual Momusu, and pretty much anything Momusu's ever done. Obviously there are parts that are similar to recent Momusu, but overall they're few and far between. The lyrics also stand out. I've never really enjoyed Tsunku's lyrics, he tends to impart so much of his own personality on them that they seem of little to no relevance to the group. In this case though, it's been analysed and vetted and seems to impart meaning to listeners, even if they're completely different meanings. Obviously, the PV is only a "promotional version" (the actual version features a few more closeups but is otherwise largely the same), but it still stands out as somehow doing something out of the ordinary. By having them barefoot (not the first time they've done it, as I've seen newer fans claim all over the place. Here's a few examples from my memory.) it imparts a sense of purity the lyrics echo by wondering (naively) if the world will ever be "cleansed", the costumes and jewelry almost seem oceanic, and obviously the spacey greenscreening is linked to the title (which, as opposed to the "official" translation I would render more as "To Transcend Time and Space", and along with the kanji meaning Time/Space Continuum and Universe, instead of Time and Sky, it's a bit weird). People have linked it to Tsunku's cancer and his aspirations for the world once he dies, which is I suppose perfectly normal. I'm tempted to think he had this sealed away for a "just in case" scenario, in which case I hope his years of subpar output resulted in a stash of good stuff sealed away "just in case" that's now about to start dribbling out as he undergoes his treatment.

Song: 9/10
PV: 8/10

Password is 0



This one flows on from What is Love in a way, mixing fast beat with EDM to create something that shouldn't work but somehow does. The beginning isn't amazing, the bass synth and chord progression are pretty naff, but when we get to the B melo, the bass kicks in and pounds the living fuck out of your skull with one of the best chord progressions I've ever heard used in EDM, to the point when it's actually stuck in my head. Very little gets stuck in my head. And it's only repeated once per section, so it's not wearing out its welcome. The buildup starting from "What goes around comes around" is also memorable, mostly because of the "da ne" bit. The chorus has more random noises going on in the background which are unneeded, but don't annoy me to the point of killing things. PV is again utterly useless, but that's to be expected when they blow all their budget yet again. Mid-8 has a nice bit which seems to be building up to some sort of completely left-field direction, but then stops and goes back to the chorus. Sort of disappointing, would have loved it if it had continued into some spacey prog for another ten minutes before the final chorus.

Song: 8/10
PV: 4/10

So, there you have it, my thoughts on recent Momusu musical offerings. As for the members, all I can say is that now all their characters are mostly established (still waiting for Iikubo to push herself a bit more beyond the calling everyone "honey" and for Oda to be something more than just "the voice", but they've made a start) they're making leaps and bounds at impressing me. Even pervmeister Riho. Who would have thought that when she joined, the studious little dancer, corrupted by insanity from Norks and perversion from Sayu. The world never ceases to amaze.

So yes, Momusu, onwards and hopefully upwards. Keep firing, assholes!

18/04/2014

Denpagumi Inc. - World Wide Dempa review

So, time for hardcore review spam. The number of albums to review has increased, so I had better get some of them done or I'll never finish them. I was thinking of setting aside a certain day of the week to do reviews, but then I realised I'd do about seven one week and none for the next eighteen weeks leaving me with an eleven week gap. Or something. So I'll just do what I've always done and press post when I finish writing.

So, Denpagumi. Gloriously off their heads, aimed firmly at the bonkura crowd and are basically exactly the same as Momoclo only on more drugs and with more Hyadain.


Preamble: Loads and loads of colours. Going crosseyed.

1. ハジマリ。〜WORLD WIDE DEMPA〜. Hello Hyadain, some nice random oriental instrumental buildups you've got there. Now some marching band. What's that, you're going to crescendo into some hyperpop song? Why would you do that? No, seriously, why would you do that. Oh, I know, because it's awesome. 9/10

2. でんぱれーどJAPAN. Ah, dem riffs. So thrash metal, but tempered with everything else being major key and happy and minorly psychotic so it comes out sounding more like guitar-based EDM than anything. Only faster, more intense, and less shit. As it breaks down into the verse, there are about three hundred things going on at once, but somehow all pull together in one direction to make it sort of flow. Then the prechorus and chorus buildup up to hyperpaced vocal win and synth spam. Altogether it's fast-paced, energetic and a bit of a mindfuck, especially when after the first chorus we get a deconstruction of the intro and a guitar solo. All over slightly fucking crazy and win. 10/10

3. Future Diver. Hyadain's back, if only as an arranger, but it still bears all the hallmarks of his silly synth sounds and weirdness. The vocals take more of a centre stage in this one (mostly because the arrangement isn't warped as all shit), and they're performed admirably in their slightly inimitable fashion. What was I saying about the arrangement? Suddenly blasts into two-step whilst someone yells "Samba!" Hyadain still doesn't know what a fucking samba is. Mid-8 has guitars, which was something that you should really expect with Hyadain. Now they're singing "Die Die Die Die Die Die" a lot. Buildup chorus is sexy, with just guitars and vocals. Nice enough song. 8/10

4. VANDALISM. This song is brutal. Starts off hardcore rap, then moves through about thirty genres before the end. I have no idea where to even start. Hardcore rap intro, Denpa-song bit after that. Rock verse. Guitar and harpsichord prechorus. Upbeat D-beat chorus. Waltz. Rock again, then waltz again. Bass heavy preprechorus. Epic version of prechorus. Chorus. Guitar solo. Rock ballad mid-8. Prechorus. Deconstructed chorus. Chorus. Structurally this thing is among the most fucked up things I've ever reviewed. Musically it's not bad, melding all these disparate elements and somehow still sounding like one song. I've no idea how, but it works. And holy fuck is it glorious. 10/10

5. Sabotage. Is that a Beastie Boys song on my idol album? Why, yes it is, helpfully rearranged by Hyadain with MIX included. Denpa pulling off some of the noise-esque rapping of the original, with exra bits here and there, like the "chorus" in which they just go "wafuu!" This shouldn't work. It really shouldn't, but somehow it does. I've no idea what the hell was going on in their minds when they decided to cover this, but somehow they pulled it off. Screaming. Yay. Piano bit is always a bit of a mindfuck, then guitar solo. It is Hyadain, I suppose. The last verse when you can actually hear what they're rapping is hilarious just for the Engrish. 10/10

6. W.W.D. At last it arrives. Hyadain's attempt to one-up his Ebichuu nonsense and give us a song that pushes not only the boundaries of popular music, music in general and common logic, but also the boundaries of time and space for good measure. After an intro which features Denpagumi introducing themselves in about 7 languages then doing a mix, we hit the first verse, a rock-pop number. Then suddenly organs. Then slightly metal. Then piano-led bass music. Then punk. Then a waltz. That's just the verse. The prechorus is pretty rocking. Then the chorus tries to kill Denpa by flooding it with syllables at a ridiculously high BPM. Post-chorus we have an English instruction on "how to use urya-oi", followed by lots of countries. The lyrics make me laugh. Then chorus again out of nowhere. Now we're into a cello and piano morose ballad-y type thing with talking over the top. Then gradual crescendo through the use of snare drum rolls. Then prechorus again. Chorus deconstruction at half speed with piano and epicness, then back into the usual instrumentation to just fuck your brain up. It's insane, but I love it. Who can resist Hyadain-level insanity when he's turned it up to eleven this much? 10/10

7. ナゾカラ. This is a little bit of a change from what has come before. An EDM song. Luckily the arrangement sounds full and none of the buzzing, whirring or beeping annoys me too much. And then suddenly the chorus is pure Denpagumi, so that's another point in its favour. Then slows back down for the EDM verse two. I think I can categorise this as "schizophrenic EDM," or maybe "Disassociative Identity Disorder EDM". The mid-8 is so cute. Dunno how it manages, but it's another crazy arrangement achievement here. 8/10

8. イツカ、ハルカカナタ. What's this, a normal song? Barely fits on this album, also the melody synth is one of those annoying ones that occupies the higher register and sounds like squeaking. The chord progressions are nice, but the BPM is about 90 too slow for a Denpagumi song and their voices at such a non-rapid pace show their flaws more easily. Whilst it's a very pretty song (that synth aside), it's just not very Denpa-ish. I think they must have run out of insane songs and just sort of taken this on at the last minute as a best of the rest they were offered. Still, 6/10.

9. キラキラチューン. Another pop song, but this time with a pop-punk feel and a bit more uptempo. Still feels lacking on the arrangement side though. Somehow doesn't feel like a Denpagumi song without three million things happening at once. Again, quite a nice song, but aside from the solo, which sounds eerily like another solo, there's not a great deal to write about. 6/10

10. 冬へと走りだすお!  This song sounds so weird it's a joke. Again, not much on the arrangement side, but the guitar is delightfully played and the lyrics are cute as hell. And there's an acoustic lead guitar. Sounds like a beach rock song in the vein of Buono's Take it Easy. Even has the Southern Rock guitar legato in the prechorus. The Denpaness resurfaces at the end of the chorus with some tape-repeated stuff, and the second verse is entirely spoken. Cute as hell, somehow. Also fun. Needed some more fun. 7/10

11. なんてったってシャングリラ. What the actual fuck. Team Shachihoko's producer (or at least, primary songwriter) wrote this song which is basically a normal Denpagumi song, but on crack. Lots of raga instrumentation. Bhangra meets Denpa-song and A-pop meltdown. I can't imagine this working in any situation. But it does. That fucker is good. The chorus is a blatant Denpa-overdrive with so many syllables in such a short space of time it's like the guy is issuing a challenge to Hyadain on who can write the most fucked up yet still catchy and melodically pleasing whilst not abusing music theory song out there. Either way, I love it when people abuse world music instruments. The second verse has a bass overdrive. The mid-8 throws away the Indian bits entirely to do some Russian polka with tin whistles and banjos. Then I'm not entirely sure what's going on after that but I'm hallucinating. 10/10

12. W.W.D. II. And Hyadain's answer. Six and a half minutes of idol trope deconstruction at the highest level. Strings and stuff lead into Denpapop and then crash. Rockish verse leads into some of the best vocal performances ever achieved out of them, and the amount of sections in the verse are huge. Mellotrons! Just thought I'd leave that in there. Probably not a real one knowing Hyadain, but the effect is the same. Prechorus is brutal. Then the chorus is a behemoth of a melody. Hyadain must have been sitting on this motherfucker for years just waiting for the chance to use it. Then a Hyadain solo-stuff esque piano and brass section bit, then just pianos. Then the biggest "urusai!" I've ever heard in a song. Dat chorus. Then afterwards a hyperpop bit of utter adrenaline. Piano and spoken-word bit recalls the first WWD. Then slow as hell crescendo with some chanting vocals, then the best one note piano riff ever. Then MIX. DenpaMIX, which continues through the chorus. A crowning moment of awesome for idol pop. 10/10

13. Orange Rium. This starts out slow... then does a BPM increase and we get a good pop rock song out of it. More pianos make me happy. The prechorus with a descending synth is pretty. The whole song is actually pretty. The mid-8 especially, as it has a synth solo. But problematically there's nothing out of the ordinary to draw attention to. It's just a run of the mill good song. 7/10

14. 強い気持ち・強い愛. A cover of an old Ozawa Kenji song, they'd spiced it up, added some cuteness to it, and obviously upped the tempo. Has enough standout elements that draw it away from the original to make it stand out in its own right, but it's still not quite as insane as the cover of Sabotage.  We also get a nice double time bit which ends with a yelled "SHIBUYA!" which is fun. The tempo increase doesn't stop either, it just gets faster. Then we get a piano and big assed drum breakdown. Crazy, but fun. 9/10

15. でんでんぱっしょん. It would finish with this, wouldn't it. The brutally compressed guitars and the crazy assed synths are sweet, and the vocals are all over the fucking place. Sometimes like vocaloid, sometimes moe-seiyuu-like, and always insane. And the rapidfire delivery returns. I think Denpagumi could give this guy a run for his money if they tried. Motormouth idols. The mid-8 goes insane with winning synth melodies and spoken word bits and then a full on rap whilst the chord progression turns into Canon in D, or a hyperweird version of. And I wish I was kidding but so much sex. Then it stops. Then it's back into the prechorus with MOAR bass. Wtf is going on. I don't know but I love it. What a way to end. 10/10

Overall: Well, my impressions of this album are incredibly positive. The younger generation of composers that are taking over idol groups nowadays show their ability to create outstandingly weird and deranged pieces of music that fuse about 35 genres and still make them catchy as fuck deserve massive props. The girls themselves also deserve credit for performing so well over it. They may not be the best singers, but they can give off some crazy assed hyperspeed bits so props for that. The songs lagged in the middle somewhat but recovered and went over the top for the win. Damn good album.

8.7/10

16/04/2014

It's Been Five Years: A Few Brief Thoughts on a Post-Beat Laments the World Luscious Idolicious



So, if you've not been living under a rock you should know by now that Beat Laments the World, that glorious blog created by Henkka for the purpose of providing a metal-infused look at J-pop, is closing its doors. And by that I mean Henkka is actually taking it offline, meaning archive motherfuckers.

However, to save you from doing that I've imported all my posts from over there onto here. To save time I shall link all of them here, from the first until the last:

FAKSM #10 by Krv
Musings on the new direction of Momusu (or why it doesn't suck)
FAKSM #14: Suirenka
Of Progressive Metal and Win
Top 50 Guitar Solos in Idol Songs
FAKSM #15: Crestfallen
BiS - Brand New Idol Society
FAKSM #16: When Momoclo Go Death Metal
Return of the Babymetal
I'd Like to Introduce You All To Someone...
Shiritsu Ebisu Chuugaku
Japan's Insanely Talented Youth
When Passpo Met The Bassist From Jane's Addiction and a guitarist from the band of Shakira
On AKB's Senbatsu Elections, sales figures, the graduation of Maeda and all that jazz...
Momusu's new single, mass hysteria and why I hate humanity
FAKSM#18: It All Works Out All Right
Headbangeeeeerrrrr!!!!!
Top 50 Progressive Idol Songs
FAKSM#20: World's End Girlfriend - "DECALOGUE minus 8"
So, remember BiS?
A Shocking World Reformation Metal Song
When Metal Goes Idols...
FAKSM#22: When America Gets It Right
Brainstorm This!
Momoiro Clover Z Really Do Rock My Fucking World
Ebichuu's Immaculate Return to Achieve Final Victory For The Glory ofthe Vampire Race
Krv and the Wild World of Anisongs
Top 50 Idol Music Videos
Once again, BiS Have Decided to Utterly Ruin The Entire Concept of What It Means To Be An Idol
FAKSM#24: When Love Just Keeps Growing... and Growing...
Babymetal's Megitsune is probably the most brutal piece of music I've heard from the last five years...
The Election: A Victory for Common Sense?
BiS. Drugs. Erections. Semen. Baldness. BDSM. AKB. WTF.
A Brief Reponse to "The Evolution of Idol Music"
FAKSM#25: Le Festin d'Esope
Beats of 2013

Obviously, wherever I used Intlwota's helpful Wordpress media player for playing music, it's now broken and won't work, so some of the FAKSMs  and more obscure tracks on the Top 50 lists you'll actually have to go looking for.

So yes, I'm now once again constrained to Luscious Idolicious. What this signifies is as yet unclear. Obviously, my posting styles on LI and Beats were quite opposite to each other. On here I've tended to write way too fucking much for normal people to read and only really talk about things that would let me write a shitload. On Beats I was happy to write whatever and press post. Sometimes I didn't actually even write anything much at all.

So I guess now you've got all of that to look forward to in one slightly more straightforward form. Obviously I've still got a backlog of reviews so long that I'm going to be writing them when I've emigrated to Mars, and I'll get on with them at some point. I'll also probably make a return to the Top 50 lists, I've got one in mind that's a new one, and practically all the old ones need updating (Metal especially, considering the last few years).

So yea, I'm not entirely sure what the future holds (except for much increased viewcounts, considering the first 3.5 months of 2014 so far have accounted for 16.8% of LI's entire total viewcount), but as I stand here at LI's fifth anniversary and look to the future, I can't see myself stopping anytime soon. I still find it far too entertaining to love and hate idols and their music. Looking back at my first post, a "naughtier" version of Paul from Hello!Blog's "favourite member" list which Shirow corrupted into being a "H!P member you'd most like to 'cuddle'" list, I feel so much more into idols now than I was then. It was just something I found rather amusing then, whereas now it's something I'll spend two weeks of my life chasing through Japan. Seeing the Stockholm trip report and comparing it to my last two posts reminds me that I always was a wordy motherfucker though.

Speaking of Shirow and Paul though, get your asses in gear and restart Wotaku Now and Helloblog dammit.

But I suppose Shirow does still give us Hello Snark Project...

Obviously, I said I'd be focusing more on the underground from now on, but that doesn't mean I'll neglect the mainstream either. I don't see myself becoming a full-on Pure Idol Heart type thing anytime soon. For a start I can never do simple informative posts without going off on three hundred tangents.

Either way, five years done. Wonder where I'll be in another five. Probably still aiming towards Japan, waving money from afar at the latest Progressive Rock Opera idols...

14/04/2014

Japan 2014 Part The Second: A Journey To The Underground

So, onwards and upwards to part two of my rather bizarre trip to Japan. This time we meet new idols, new people, old people, old friends, new friends, and some other shit. This post is really fucking long, so if you're looking for something in particular I suggest you Ctrl-F the fuck out of it.

Monday 17th March

Another early morning, another trip on the Shinkansen. I had arranged to meet Henkka at his current city of residence: Nagoya, and was running late. The joys of early morning Shinkansen are thousandfold. Trying to get an unreserved seat is a fucking hassle, trying not to molest people as they push past you in Tokyo station is a major fucking hassle, and breathing is basically impossible. Luckily due to my Osaka travels I knew that the Hikari trains left about 3 minutes past the hour, so I eventually got on the 10:03 one to save me catching the Kodama, which bores the fuck out of me.


The train journey was uneventful, except a brief double-take moment in Shizuoka prefecture. Some fucker had shaved the kanji 茶 into the side of a mountain. I know Shizuoka is all about tea, but even so, that's pretty fucking hardcore. As I pulled into the fucking gigantic Nagoya Station, I wondered how the fuck I was going to find Henkka, but with luck he had sent me a handy little guide detailing which exit to take, which clock to meet him under, and a helpful reminder that there's not just a silver clock (銀時計) in Nagoya station, but also a golden clock (金時計), so to watch my pronunciation.

I promptly ignored his advice and walked to the other side of the station because I needed a leak.

Slightly lighter in bladder I headed back in the correct direction and saw a brooding Finnish person wearing a winter hat and fifteen layers of clothes standing under the clock. And I thought northerners were supposed to be used to the "cold" (author's note: it was roughly 18C that day).

The original plan was to head straight to karaoke to get drunk, but I'd yet to eat and had seen a restaurant of kingswota through the window of the train, so I dragged Henkka to Saizeriya to sample the delights of incredibly cheap fake Italian food. Henkka, however, was unimpressed, and ordered his breakfast.

A can of chuu-hai.

One deliriously twisted conversation and sort of meal later, we headed back out on a quest for karaoke free time. One by one the karaoke boxes fell, one by one we left advertisements featuring 48 groups behind until there was only one remaining. Joysound.

Entering we found that it did indeed have freetime, until 7pm no less. We settled in and ordered our first drinks, a rum and coke for me, some weird girly cocktail for Henkka. Order delivered, we got set on setting the box to our liking (I noticed that disturbingly the occupant before us had set the music level to about 20, the vocal level to 60, and the reverb to about 70. I think they liked their own voice too much). After correcting it and starting to figure out the rudiments of the system it used, we noticed an inauspicious sign looming outside the window to our booth.



Well, everyone likes some cock.

We set about destroying our throats, with renditions of everything from Morning Musume's Shabondama to Cryptopsy's Cold Hate, Warm Blood. Sated for a while, we sat back and Henkka ordered a large bottle of shochuu, and we set about demolishing it along with the free soft drinks. I also found a machine that made "milk tea", which tasted decidedly minty but utterly delicious. The crazy song choices continued, Henkka doing some Beatles songs (Strawberry Fields Forever and Maxwell's Silver Hammer), which I instagrammed but the sound decided not to work. Maybe the Beatles' internet blocking power is too great. Henkka does actually have a pretty sweet John Lennon-esque voice.

After that, I decided to have a go at being filmed. Being a vocalist in a metal band I had to think of something fitting, so I chose the song that basically turned me into a fullblown metalhead all those years ago.



And no, I'm not sure why there's dancing on the screen either. I also got filmed doing Iron Maiden's Two Minutes To Midnight but it sucks so I won't upload it. Camwhoring over we finished demolishing the bottle and ended up doing a bit of a Nagai Rui showdown. Nagai Rui, if you don't know, is a composer and arranger who used to do a shitload of Tanpopo songs. He also did Momoclo's Tsuki to Gingami Hikousen. Pretty much all of them sound like the Beatles. I also did a quick blast of Babymetal's Akatsuki, and Henkka did C-ute Ookina Ai de Motenaishite. Also had a Johnnys faceoff, where we hit two Tokio songs (Sorafune and Amagasa, both themesongs to very good dramas, My Boss My Hero and Yasuko to Kenji respectively), Arashi's Happiness (also the themesong to a very good drama, Yamada Taro Monogatari), and KAT-TUN's Lips, just because metal Johnnys.

After all this we were nearing 7pm, and we needed a grand flourish, so I whacked on what I thought would be the perfect ending. After all, it sounds almost exactly like a band famous for grand flourishes. Momusu's Dekiru Onna, of course. Only to find out that Henkka had had almost exactly the same fucking idea and had put on Bohemian Rhapsody. Great minds...

Kickout time reached we decided in our wisdom to find an izakaya. However, following Henkka's phone's directions proved a longwinded and circuitous way, so on our quest to find a place to drink we stopped in a Lawson and grabbed a drink. Henkka got another chuuhai and me two bottles of whisky, a bottle of coke, and a set of papercups. As we walked and talked shit, Henkka drank, and I poured myself a drink whilst walking and talking, we stumbled across a monolith to modern Japan, a statue of a giant schoolgirl.

Henkka, of course, needed a picture.


It wasn't wearing any.

Distraction out of the way, we continued in our quest, Henkka yelling "近くの居酒屋" with increasing desperation into his uncomprehending phone. Eventually, after walking in circles, I stopped him as I'd spotted something he'd missed whilst glued to Google Maps.

Pointing at a red lantern hanging outside a store, I asked him what the kanji said. He couldn't read them (granted, they were done calligraphically), so I informed him that they spelled out the dread name IZAKAYA. Sated, we went in, to find a plethora of drunken train workers who had never seen a foreigner grace their little corner of Nagoya drinking establishments before, let alone two at once.

Slightly drunk, they invited us to join them.

Henkka possibly made a slight faux-pas when he tried paying for our drinks at the "bar", probably not realising that you're supposed to sit down and then pay at the end, leaving the okamisan slightly pissed off at us for the duration of our stay. Still, the fun had just begun, as a mildly (read: fucking utterly) inebriated lady, called Nanami, the only female in the train-worker's party, decided to entertain us. After going through the usual litany of "things to ask a foreigner you randomly meet who happens to speak more than just incredibly basic Japanese", she asked us more random things, like "What line do you live on?" to Henkka, and "Why the fuck don't you live in Japan, you should, I can introduce you to a single woman so you can get a marriage visa. She'd be in her 30s though..." to me. After ascertaining that we were wota they dragged one of their coworkers to our table because he was a mononofu, an A-rin wota. After that we discussed random idol shit, and Nanami tried to get us to eat some sashimi.

Being foreign and thus not having been used to eating fish since birth, Henkka and I demurred. Both of us disliked fish, and eating it raw just makes the taste even stronger. After deciding that I was drunk enough to not care, I ate it anyway. I can't really remember the taste. Henkka also tried, but had to forfeit halfway through his mouthful. After Nanami got him a drink and some chicken to wash it down with, Nanami and the A-rin wota started buying us more shit. Eventually, the okamisan got pissed off and closed. It was 9pm.

However, the last train back to Tokyo left at 21:30, as the train workers so helpfully pointed out about 20 times, so I had to rush back to the train station, Henkka trailing minorly wrecked in my wake. I achieved the shinkansen, sat down, and got back out my bottles of whisky and papercups, and enjoyed the journey back to Tokyo.

Henkka meanwhile had started molesting some cooking school graduates and got them to regale him with their life story. That, ladies and gentlemen, is Henkka.

Tuesday 18th March

My dingy apartment loomed over me like a gloomy spectre of depression, my head pounding as I tried in vain to once again remember just exactly how I'd got back to Nippori. I climbed half delirious into the shower, where once again the shower refused to stay at a constant temperature. Either boiling hot or freezing cold. The joys. The bath had no plug so I couldn't pour one and just relax in there. Shower over, I surfed. The wifi connection was limited to a single corner of the room (obviously, the one furthest from the bed) so I sat shivering and cold. The aircon refused to heat the room beyond 20C.

I had no more idol events to look forward to, except a few semi-planned J=J events which I then didn't bother going to either. What, I asked myself, should I do with myself?

Luckily, myself replied. "Climb a fucking mountain," it replied.

So I did.

The weather forecast said it was going to be sunny for the whole Kanto region. I rejoiced, then promptly got on a shinkansen to Odawara, my favourite not massive city in Japan. There's just something about it that makes me enjoy it there. Maybe it's that the girls seem to have the best concept of A-class zettai ryouiki in all of Japan. Maybe it's that the sand on the beach is black. Maybe it's just that it seems calmer there.

Not that I spent long there this time. I almost immediately hopped on the Tokaido line to go back to Kozu, and then switched to the Gotemba line. That's right, I was aiming for Fuji.

The train began to climb, the sun reached its zenith, and the train stopped. Turned out not all Gotemba line trains actually go to Gotemba, this one stopped at Yamakita, so, with nothing better to do, I got off.

At first I decided to head straight up the nearest mountain, but it started raining so I eased off and found something better, a sign for the Shasui Waterfalls. However, the sign was horrifically useless and they eventually stopped unexpectedly. In my quest to refind them I found a bridge and took a picture, because I could.

Also, using a graduated filter on a rainy day is a bad idea.


Slightly aggrieved at the weather report lying to me (Yamakita is still in Kanto, dammit), I carried on walking. And walking. I found an old Shinto shrine that had been wrapped up in white paper, so I moved on. I carried on walking so far I ended up at Uchiyama, which is in a completely different city. After walking through Uchiyama, up to the top of the hill/mountain it was located on, and down the other side a bit, I realised it was nearly 3pm (I'd been walking for quite a while at this point) and so decided to head back to find a train station. The bus timetables looked like something out of the 1930s, with about one bus every 3 hours or so, so I headed back into central Uchiyama and grabbed another picture.


It was still raining, and was windy as all shit. That's the mountains, I suppose. I headed down a different way because I couldn't be bothered to walk back the way I'd come, as I'd nearly been run over about fifty times because there were no pavements. I headed back down the mountain and through some more roads with no pavements, and this time the danger was even worse because there were blind corners and idiots parking in the middle of the road, most notably a guy delivering calor gas and a postman. Fuckers.

I spotted some early blossoming sakura so grabbed a quick pic.


The rain had started to ease and I carried on walking, and walking, and walking. Eventually I found myself at a station: Higashi-Yamakita. It's the station before Yamakita on the Gotemba line, so I'd basically walked over, and then back around, the entire fricking mountain. Hooray sense of direction?

Upon looking at the sparse timetable, I saw that the next train was headed towards Numazu, so I caught that instead of the train back to Odawara, hoping to at least see a bit of Fuji before I left the mountains. As we climbed the foothills, the light began to fade rather quickly. I thought night had arrived, but as the train arrived in Gotemba station the visibility was about five metres thanks to the thick fog. I couldn't see shit in that weather, so I stayed on the train. The train descended, the light returned, and I arrived at Numazu. As it's in the Shizuoka prefecture, and I wanted to catch a Shinkansen back, I decided that instead of heading back in Tokyo's direction I'd get on the Tokaido to Shizuoka.

Probably a bad idea, it took a damn long time. And then when I got to Shizuoka, I had to get back on a shinkansen going the opposite direction anyway. Tokyo I reached. I got on my phone and started looking up more idol events. I came across this post on Pure Idol Heart that piqued my interest somewhat insanely, and immediately followed them all on Twitter. They immediately followed back. However, slightly gutted, I realised they didn't have any events before I left Japan. Devastated, I slept.

Wednesday 19th March

For the Wednesday I had made plans with Dean to do fun things. For some reason, we planned to meet at Shibuya station's Hachiko exit. Once again the gulf between what Dean meant and what I understood was a gulf too far to cross, as I waited at the exit, he was waiting at the Hachiko statue. After resolving our issues, we headed for a multitude of shops as Dean was in a browsing mood. We hit rather a lot of shops looking for some skating gear he wanted, and saw a random structure that could only ever happen in Japan...



We also stopped into a Mos Burger, to get the best burger I'd had in Japan yet, as Dean continued in his quest to take me to all the burger chains in Japan. After getting in touch with Miles, who was in Harajuku to take pictures of schoolgirls the Meiji Shrine, we decided to walk over and meet up with him.

Along the way Dean spotted a condom shop he was intrigued by, as apparently Japanese ones are a) too small, and b) break too easily. Unfortunately he was too pussy to go in. We met up with Miles at a McCafé, and couldn't find a seat, so we ended up going to a Chinese restaurant in the same style as Saizeriya: cheap as fuck and with a drink bar.

Miles was carting around a fucking massive Canon 5D Mk2, which annoyed me somewhat, as despite me being a photography graduate I could never afford something that sexy. I then discovered we were basically polar opposites. He'd graduated with a degree in music and now never uses it, instead preferring photography. I graduated in photography, and spend most of the time I'm not working talking about and making music. I took a low-light long-exposure no-flash no-tripod picture of my melon soda with a shitty Nikon D70s with a broken lens just because I could.



After walking around for some time waiting for Dean to find some skater clothing, and after discussing the best kind of zettai ryouiki with Miles (I prefer minimal gap between skirt and sock, for reference), we spent the next hour in the Gundam shop, waiting for Miles to pick a wallet or a notepad or something, and then we stopped by Gorakudoh briefly as Dean pointed it out.

Imagine my terror when I saw a ticket for Okada Robin Shouko's birthday live, on the Friday. It had been sold out long before I reached Japan, and yet the upsell on the ticket price was only 300 yen or so. How bizarre. I bought it.

After this Miles dragged me and Dean into an analogue synth shop, featuring lots of sexy sounds and waveforms. After playing around for a damn long time, and struggling not to play Strawberry Fields Forever on the Mellotron they had, we left before we wore out our welcome.

After this Miles abandoned us, so Dean and I went across to Akiba. For some reason we always end up there. He showed me an idol goods shop, which had a bunch of Momoclo shirts, happis, jackets and shit, for quite reasonable prices. After thinking long and hard on it, I decided I'd save my money for the sexy Mamiya, which I promptly forgot about.

After wondering what to do with the rest of our day, I remembered the Slime Girl from the week before, a cute girl called Sakamoto Mana, and endeavoured to drag Dean to an Alice Project event. They perform every day of the year, after all. As we tried to remember the name of the place where it happened, I came upon the remarkable conclusion that Dean did actually have roaming internets and could just google it.

Sated, we headed off to Pasela (one of two in Akiba, it's the one away from the station at the major intersection) and tried to figure out what to do next. Pasela is some kind of inner-city tourist resort, the toilets and the like are super high class. I wondered why the fuck notable underground idols would be playing there, and couldn't think of why. After talking to the young woman manning the Alice Project ticket thing at the front desk, I couldn't help but notice she looked incredibly familiar.

She looked exactly like fucking AKINA...

Wondering why a noted former idol, actress, model and such like would be working in a weird resort, I decided to just buy our tickets and go get another burger. Maybe it's because her band doesn't rake in very much money. Maybe it's just an incredibly good plastic surgery job. Or maybe dopplegangers really do exist.

The burger chain Dean dragged me to this time was a Canadian-themed one, called Becker's. It was quite insane, the buns being made in front of you before they even got used. The main attraction on the menu for me was the Poutine, which I had Italian style, topped with a ragu instead of gravy. The burger was damn nice too. All in all, it tied with Mos Burger as the best in Japan at that point, and was only slightly behind Max in my world rankings.

Slightly less hungry, we headed back to Pasela and headed for the Alice Theatre. We were a bit early, but that didn't matter to us. We got off and realised that they were in the middle of rehearsal or something, and one of Steam Girls got in the lift with us and went to the next floor up. Dean and I didn't have a fucking clue what to make of this, so we headed back down to the ground floor where the wota were now starting to line up and such. We followed them in and entered PARMS, the weirdest looking theatre ever. There's a bar one side, restaurant tables the other, and a stage in the middle.

Not knowing what to expect, we made our way forward a bit and didn't really have a clue why so many people were hanging around at the back. As the first group, Game Girls, came out, we were slightly bewildered by their brand of hyper weird not-quite EDM.

For those not in the know about Alice Project, now might be a good time to provide a little history lesson. A while back there were a bunch of groups like Pureful and Prism. Eventually, following the sort-of success of Natsu Da Ne, they all sort of merged into a hyper-group called Alice Juban. Girls who pass the auditions start in the lowest group at the time (at the moment it's Slime Girls. In the past it's been Pa-ken as well) and then move their way up the heirarchy. Oz is sort of the stepping stone above Slime Girls, then Armour Girls formed fully fledged out of the remnants of Pa-ken. Steam Girls are Alice Juban's official "little sister unit", and Alice Juban is at the top. As if that wasn't complex enough, Alice Juban, Steam Girls and Armour Girls also merge together as Kamen Joshi (Masked Girls) just to fuck your brain over just that little bit extra. There are also a load of mixture units like Game Girls, Idol Youkai Kawayushi and a bunch of others. Sakura Yuki is the latest girl to get promoted, she went from Steam Girls to Alice Juban like, last weekend or something. She's pretty impressive, she's an idol who performs 6 days a week and still finds time to study at Tokyo Uni, the hardest to get into Uni in Asia.

Anyway, explanations aside, we enjoyed Game Girls a bit, then wondered even more what the fuck was happening as everyone at the back of the crowd moved forwards, and everyone at the front moved back. In the middle, Dean and I stayed put.

Next out were Oz, and they do some Wizard of-type cosplay at the same time whilst performing. Their songs are okay. I started to get into it, joining in some of the chanting and doing glowstickless furicopy. Dean stood transfixed, up until the MC where everyone sat down. Bewildered, we followed suit, only for everyone to stand up during their oshi's introductions. Then when the next song started everyone stood up again. So weird. Next up were Armour Girls, who came out toting fucking massive (plastic) swords and armour, and then suddenly came out with some fucking Flogging Molly-esque Celtic Punk. Needless to say I was pretty hooked at this point and went all weird with my furicopy and chants. Dean seemed a bit less enthused by Armour Girls than I was. After a few more crazy folkpop songs they buggered off again, and it was Steam Girls time.

Unfortunately, just about the only Alice Project girl I knew before coming to these shows was Koyanagi Tomoe, and she wasn't participating that day, so I made do with the depleted version. I was first introduced to Tomoe by chance about two years ago when Steam Girls first debuted. I saw them described as Steampunk Idols and loved the idea, only their outfits were blatantly cyberpunk rather than Steampunk. Tomoe followed me on twitter, so I followed her back, and then in cleaning up my follow list one day I deleted her, and she returned the favour. Ah, idols. The crowd once again rearranged itself, we got treated to some of their energetic somewhat bizarre cyberdancerock stuff. During Steam Girls the most intense wota I've ever seen stood right next to us, and basically ignored everyone, including the idols, to do the most self-aggrandising wotagei I've ever fucking seen. Was in his own little world, hyperspeed MIXing in every instrumental break and doing some weird type of hardcore dance at all other times.

Steam Girls done I prepared for the main event, the coming of Alice Juban. I took out my hair tie, shook out my ponytail, and prepared to headbang.

Throughout the Alice Juban portion my eyes were drawn to one girl in particular, and I've no idea why. Maybe it was her unsmiling intensity, maybe it was her fucking insane yaeba, maybe it was that her eyes just sparkled in that slightly unbalanced way that only Henkka and I really appreciate (they were also completely wonky, which helped). Her name was Kawamura Nanaka. After headbanging the fuck out of my neck, enjoying the fuck out of Natsu Da Ne and their other songs, and joining in some of the crazy wotagei that happens at Alice theatre shows, their performance ended, and we reached the "afterparty". Neither me nor Dean had a clue what it was, but the Akina-lookalike at the reception desk had said that the afterparty was the "good bit" so we hung around to see why.

After getting a drink from the bar using the "free drink" ticket we'd got from reception, we waited until all the members came back out on stage. Before long, people were queuing and going up to get polaroids and shit. Unfortunately for me and Dean, we didn't know anyone's names at this juncture, so we turned to someone else for help. Luckily, a kindly Japanese wota answered all our queries as to the oshimen we'd picked out during the show. Obviously, Nanaka for me, as well as Armour Girls' Amaki Jun; and for Dean, Oz's Asakura Ayaka. Now, Dean's as DD as I am, possibly moreso (he was crowned most DD gaijin at some wota meeting once, I think), but he was utterly besotted with this girl. The helpful guy explained to us the polaroid system, 1000円 gets you a simple polaroid, a 2000円 "wide" polaroid is bigger, the girl will sign it, and you get to stand up there and talk to them for a minute or so, depending on how much the Slime Girls are paying attention. Having the understudies police the events themselves is somewhat of an interesting touch, it saves costs on security and obviously gives them the chance to observe idol/fan reactions up close. When people want polaroids taken with Slime Girls, it's quite amusing as they seem quite earnestly ecstatic about it.

Info in hand, Dean immediately went up to get his Ayaka polaroid. Half a minute later he came back, smitten. She had even spoken to him in English, and basically captured his DD heart and turned it to her own ends. The fading memories of Hiroro, the lingering fondness for Dorothy Little Happy's Mimori... buried beneath a sea of Ayaka.

Determined to see if my favourite would wreak similar havoc on me, I went up and tried. Nanaka was cold, distant, and downright fucking awesome for it. She did the usual, "where are you from, why are you here?" shtick, and was like "meh" when I told her I came for idols. She signed the picture and I fucked off, both impressed and wanting to poke her cheeks.



Why is it cold women are so awesome to me?

Anyway, Dean went around and did Ayaka again, and we hung around until they wrapped it all up, and then we went and hung around in Saizeriya until it closed. All in all, a day well spent.

Thursday 20th March

The day had arrived, the day of Umika's photobook release. Once again the rain had settled in to make my life a misery, and so I decided to stay in bed until the rain pissed off. I stayed in bed until 4pm, then decided I'd better go and look otherwise I'd regret not looking. I searched high and low for any sign of it, I hit Ikebukuro, I hit Akiba, I hit Nippori. I got wet. I got annoyed. I went back home empty handed, all the Sofmaps, Tower Records, Yodobashi, Yurindo, Libra informed me that they didn't have it. Gutted, I took to the internet in despair, only to learn that Next Shoujo Jiken had announced two concerts for the very next day. Well well well, I thought, and promptly set about finding the general location of Shinjuku Birth so I could get lost whilst looking for it, and then the same for Marz later the next day when trying to find the Robin concert.

Afterwards I tuned into Music Japan on NHK because 9nine were on it, only to bitch endlessly about their live sound engineers. I know they don't get much practice at mixing live vocals, what with the huge amount of miming that goes on, but still, don't fuck it up that badly. HKT and SKE (I think) were on it too, but the live engineers didn't have to do anything apart from spin the CD so I guess that was okay for them.

Incredibly annoyed, I went back to sleep.

Friday 21st March

Quite early in the morning, I found myself in Shinjuku, tearing around Kabukicho, 6-chome, 2-chome and 1-chome before eventually finding Birth Shinjuku in amidst all the host clubs. It looked slightly more like a Visual Kei club than an idol event space, but I went down, and upon seeing that no one was there, I left again. There was a Lawson across the street, so I went in and bought something to drink. I went back to Birth after doing a lap of the area to find a bin for my drink bottle, and found there was still no one there. I waited until one person queued up behind me. Then the doors opened, I bought a ticket and went in.


Ticket #1 attained, I hung around at the front waiting. And waiting. At 11:50 it was me, the guy behind me in the queue, and some other bloke in there. The guy who had been behind me struck up a conversation with me, he was there for Lolisyn (who were playing first, and I didn't even realise they were there. Damn their all-kanji name) and that it would suck if this was all the people that came. Pretty hard to get pumped up when there's only three of you. After talking to him for a bit longer Hiro from the second-incarnation of Lolisyn then decided that enough was enough and handed out free-polaroid tickets to the three of us already there. She's so idolish and not idolish at the same time, it confuses the fuck out of me. She sort of skipped over to people, then sort of aggressively forced these tickets on us, then flounced off again. Half her hair is blonde and half is brown. It's a weird sight.

Mentally unstable idols... yes.

After this about ten more people arrived and Lolisyn started their performance. It didn't take me long to get into it, within about a minute I was headbanging and slightly rocking out. Lolisyn's songs are pretty much on the heavier edge of the idol spectrum, firmly approaching "heavy as a really heavy thing." I think I find the new incarnation of Hiro and Halu (that's how she spells it, who am I to argue?) slightly better vocally than the previous incarnation. After ripping through several songs, getting the minimal crowd to headbang and even start the rudiments of the smallest fucking moshpit I've ever seen, and just generally owning, they unleashed a random song of cuteness which was really fucking weird, but had some of the craziest crossrhythm wotagei I've ever seen. A formative version of the wotagei can be seen here. After such an insane song and wotagei routine, they couldn't really top it so they buggered off.

So did basically all the Lolisyn wota.

When Ride, the next group, came out, I didn't know what to expect. They were dressed quite stylishly, in a way it reminded me of the Queen and Elizabeth AKB side-group in that there were two of them. Then they announced that as Lolisyn had powered through their setlist so quickly we were ahead of schedule and so they had to talk for ten minutes. Embarassed, shy and a bit rubbish at MCs, they lasted about four minutes with an ill-fated attempt at doing some dance cover of an EXILE dance, then just went into the first song, an ill-inspired choice that was a ballad. After being on a high from Lolisyn, I felt sorry for them after the MC and then such a downer start to a show. Luckily they rallied and performed some slightly more rocking tunes after that, so once they'd disappeared it wasn't to no applause whatsoever.

Next up was my main event of the day, Next Shoujo Jiken. Before the performance I'd singled out Shuri as probably my favourite, but within a few minutes of them appearing on stage Mai had hit most of my oshi buttons. Next Shoujo Jiken are a weird concept in that they're supposedly "incident" idols. They get stabbed in the middle of concerts and shit, randomly die, stop performing and stop moving, shout "fuck" a lot, give the middle finger to everyone, and their "poster" song at the moment is called "adolescence", in which they just scream "fuck you" at the audience a lot. They perform barefoot all the time, which is an interesting choice considering how many idol groups do that as an occasional thing (Momoclo, LinQ and AeLL especially), and the audience interaction is unlike any other idol group I've ever seen. Shuri jumps into the crowd at any given opportunity, Mai just stands and looks cute and then randomly dives at people to touch them, and Nono is the cool one who just stabs people.

Halfway through the concert Shuri ran out of energy or something, so Nono started kicking her and then stood on her. Nono then stabbed the shit out of Mai. It was all a bit clusterfuck and I don't really know what, but it was 100% fucking awesome. Throughout the show, due to them falling over so often, another wota close by kept making finger-glasses and trying to get upskirts. Far from being subtle about it, he went over and above and made everyone laugh by it. Another wota, who looked like he was a member of Maximum the Hormone, was doing some hardcore style dancing as well, and was a complete Shuri wota. In a way I'm glad I oshi'd Mai. Less competition. The third wota of note basically vaulted right to the top of the 4'5" high railing to kecha the girls. Some damn athletic leap, and insane levels of balance. He did it twice, even.

Because the first three groups had all finished so fucking early, the venue announced a break before the show continued. I'd wondered what the fuck was going on outside the actual live hall for a while, so I went to look. Turns out Lolisyn had dragged a table out in front of the stairs and were doing polaroids and shit there. Intrigued, I got out the free ticket Hiro had given me and waited behind some other guy. He waited his turn, then chose Halu. I figured the usual poses would be in contention, the peace sign, the heart sign, etc. Instead, he laid face down on the floor and Halu stood on him. Mildly bewildered, I looked on, amused by this completely weird fan/idol interaction. The guy in question having gotten up and moved on, I went up and got one taken with Hiro.


My kimosa level isn't quite yet at being trodden on. Yet. Afterwards we spoke a bit about indie idols, metal and what would sell in the west. I mentioned the Idol Matsuri going on in America that proves that it's not always the major idols that get attention. The fact that Aither were playing minorly amazed them. I also bought one of their shirts because they win.

Having headed back inside, the next idol had started. Her name was Saki, and her group name was 2& (pronounced Double And), even though there was only one of her. Apparently there used to be two of them, then the other left and now the 2& means "Saki and You". Or something. Either way, she had some pretty rad performance skills, with a damn good voice and pretty sharp dance moves. For a soloist, she filled up the stage pretty damn well. There's just something incredibly captivating about her, as she seems to shun conventional choreography and stand still during danceable parts, and then dances to the really hard to dance to parts. The songs are also pretty good, funky and melodic with a damn sweet bass underpinning. This PV's from when 2& was a duet, but it gets the point across. There were only two actual 2& wota there, that I could tell, judging by their Tshirts, but they basically taught everyone what to do. Like, in the PV above, when Saki screams, everyone fucking screams. Much as the video and sound quality sucks on this, this and this, it's worth watching because 2& could do with some more support. She is awesome.

After Saki had left, we had a group that came out with actual idol-looking costumes. Actually they looked like a cross between Momusu's One Two Three and Wagamama costumes, but I digress. They'd only debuted like 5 days previously, so as you can imagine their freshness level was insane. Their name: Tsuki to Taiyou. No, not the Taiyou to Ciscomoon song. I picked out my oshi because I could, though I struggled a bit. Three of them were insanely cute, but I chose the pink one because I could. Her name is Natsumi. The leader is called Sayanee, which made the weird guy with the hand goggles from earlier ask why NMB were playing here. Their sound is also pretty rock, though as they'd just debuted I don't know what direction they'll take in the long run. At the moment metal and rock idols are on a major upswing, but who knows how long it'll last. They played through a few songs, got some applause, and left.

After the idols had finished I thought about going, but the Lolisyn wota I'd been speaking to at the start told me there would actually be tables brought out (along with idols) and you could do some polaroids with them, chat with them, and buy some merch. So we hung around the Next Shoujo Jiken table until they came out, as Lolisyn had already buggered off. I started talking to Mai and Nono about random shit, with Shuri coming and going as she pleased (she really doesn't have any kind of normality at all. She was just going hither and thither without a care in the world). The Maximum the Hormone lookalike came and did a polaroid with Shuri, she stood still for about 5 seconds to do the picture, then ran away with it. She came back about 5 minutes later having turned it into a work of art deco, then buggered off again.

Mai was sweet as hell, we ended up talking about the popularity of idols abroad, the state of politics in several countries, deep-vein thrombosis... it was getting sillier and sillier. Eventually I asked them why the hell they were barefoot all the time, to which they replied they didn't have a fucking clue and dragged the producer over to ask him. He basically said "because they are" then ran off to hide again. Nono took off her slipper and was like "look how bloody dirty this gets because people never clean the stage properly." Made me laugh. They told me to follow them on twitter. I told them I already did. They said to let them know my username so they could follow me back. I told them they already had. They seemed confused until I took out my phone and showed them my profile picture. They remembered that.

I decided to get a decorated polaroid with Mai because she was just being so sweet, so she asked my name. I told her Krv, because I could, and then she couldn't pronounce it. I guess Kanchan was special. Then she couldn't spell it either.


I quite like abusive idols.

After this she started saying she wanted to come to the UK for a live. I said it wouldn't be impossible, as UK is metal's birthplace and they're pretty metal, and pretty fucking weird, and Babymetal are getting a lot of attention nowadays. Surprised by the fact that Babymetal had got on the charts abroad, they once again summoned their producer guy and I chatted to him for a while. He's a pretty chill guy. He asked where I'd found out about them and I told him that it was from Pure Idol Heart. They seemed amazed that that one article reached anyone at all. I think he was a Lolisyn wota who turned into a producer by way of mutation, but who knows. This picture supports that though. I asked Mai where she wanted to play in the UK. She replied with (and I'm not even fucking kidding), "Fuckingham Palace".

a) That's fucking metal.
b) Does Buckingham Palace ever even hold gigs?
c) She's another DMC fan!

I spoke to her about DMC for a while as well. The Lolisyn wota got a polaroid taken with Nono, and the guy who'd been perving on them came over and started talking to them as well. He's called FATTKC and is hilarious to watch, even though the kimosa level is over 9000. After that the idol groups all started to leave, and I was sort of gutted that I couldn't go to the evening event as well. Damn Robin. Having said goodbye to Next Shoujo Jiken, I left.

With a few hours to kill I decided to once again attempt to obtain Umika's photobook. I searched all over Shinjuku for a bookshop, finding Shinjuku Marz in the process, but couldn't find one, so went back down to Shibuya. I went in Tower Records, they told me it wasn't even on their system. There was an X21 event going on outside a shop, which I promotly ignored. I went to Tsutaya, and they said it wouldn't be in stock until the following Monday, after I'd have left. They said there was another bookstore in Shibuya, under the Parco, so I went there as well. After dragging the poor clerk to the section, he looked exactly where I'd already looked, told me he didn't have it, and refused to tell me if they would ever have it. Dick.

On the verge of giving up, I remembered a hint from Oroboras to try Jinboucho. With nothing to lose, I got on the underground up there and headed for Shosen. I found a treasure trove of photobooks, but no Umika. I asked another clerk if she knew when it was out, she said she'd look, and once again told me the next week. Unless the internet had lied to me, I didn't believe her. Either way, I bought a load of photobooks, then headed back to Shinjuku to catch the Robin live, though at the time I assumed it'd be a full The Possible live with just a birthday celebration for Robin in the middle.

After lining up behind some incredibly overexcited girls, I got in and found myself in the most crowded venue I've ever seen. I went downstairs because the overhanging "second floor" bit was full to brimming. Downstairs there was said second floor overhang looming incredibly low, so that when you were as far back as I, you couldn't see the stage. It was ridiculous. Worst venue layout I've ever seen. It was even worse because the barriers were about 3m away from the stage. Could have fit all of us in and had exactly the same security if the barriers were 1m away, but I guess logic plays no part in anything Tsunku-related.

Robin came out to applause. Then, she did one song live. Then she introduced her "backing members", to which I figured The Possible would all come out and we'd have a gig.

Nope, an actual live band came out. And Robin continued on her own. After blasting through some hits from new and old Possible (apparently because she did a load of covers last year and no one liked it), I noticed two other foreigners standing next to me looking thoroughly bemused. I later figured out they were her family when they went backstage after the show. Robin sang Avril Lavigne's Complicated, I think simply so that her family would understand one of the songs, and also did an acoustic cover of a song by some young singer/songwriter on Victor whose name I've completely forgot. She put on a slideshow made by GLORIOUS FLATCHEST legend Niwa Mikiho whilst she got changed, and then she then did one last spurt to the end.

It would have been amazing... if I could have seen any of it.

After she left, she got a long assed encore chant which, for some reason, they hadn't been expecting. So she came back on and did one impromptu last song (luckily the bandmembers knew like, one Possible song they hadn't played that evening), and that was it.

I tried to fight my way out of the damn gig but it was a huge block near the exit. Figuring something was going to happen I hung around, grabbing a drink in the process, and waited. Before long Robin came out from backstage and basically stood in the doorway, barring our exit, and said thanks for coming. Then she stood behind the entrance desk and shook everyone's hands as they were leaving. Seems really weird but oh well.

When she saw me she instantly switched to perfectly good English, which shocked the hell out of me (she always says she can't speak it, and in the concert she even called herself an 似非外人 (a pretend-foreigner). Either way, I was so confused by this I just sort of muttered that her English pronunciation was better than I expected, both talking and in the Avril Lavigne song, and that I was from the UK. Only I did it in Japanese. Tiredness, it's a killer. She sort of accepted this with a smile, shook my hand, and let me on my way.

But the night was young yet. Only 8:30, I texted Dean to see what he was up to. As it turned out, he'd dragged Ricardo along to see Alice Project. "Well, I may as well join you for Saizeriya," I thought, and headed over there. Dean had estimated he'd be out by about 9. I snuck up the back staircase and just sat on the stairs waiting for him, and started perusing my photobooks in the meantime. About 10:20, he finally came out, after having more funtimes with Ayaka. 

We headed out to Saizeriya, where we just chatted shit again for a while. Ricardo hadn't enjoyed Alice Project so much, pointing out that the fans were slightly more focused on themselves than the idols. True, but if you're having fun it shouldn't matter. He'd been to the X21 event I'd seen earlier, and had a bunch of goods from it. After deciding we would get some tickets for Saturday's Alice live in advance, we headed over to Lawson and spent a while trying to spell Dean's name right in Japanese. It had no back button so you had to delete the lot every time you screwed up. Either way, tickets sorted, we headed our separate ways again, back to bed.

Saturday 22nd March

After waking up early to start cleaning, I realised that as my checkout time wasn't going to be until 4pm there was absolutely no point, so I went back to bed. Then got up again to wash my bedding, then went back to bed without any bedding. Upon waking up properly I set about tidying and cleaning it, and packing. Oh, the joys of packing. After yet another shower that altered between freezing and boiling, I evacuated the bathroom for the last time. The place was ready and waiting to be inspected. It was 1pm. I went back to sleep. I woke up again at 2pm, and went to 7/11 to get some food. I cooked it, made a mess of the kitchen again, and then had to clean it again. Gave me something to do. At 3:30pm I finally got inspected and left. My suitcase weighed 20kg, my rucksack about 15kg. I had a shitload of 9nine CDs I had to leave at Watanabe's because I couldn't get them all on the plane, and so I just suffered. I met Dean at Akiba, eventually. He said to meet him at the AKB Café, but then changed his mind and told me to meet him inside the station so he didn't have to pay. So I went back inside, hacked my bag into a massive locker, and then we headed out to find Umika's PB again.

We hit every idol shop in Akiba, and then after almost giving up we hit Akiba's Shosen on a whim. They had it. Fucking started raining sparkles and shit or something. Was like dreamworld. After browsing through Akiba Shosen's amusing fetish section, we were ready to depart again. We headed to Mos Burger for food, and this time they disappointed the fuck out of me. Was the worst chicken burger I've ever had. I guess that makes Becker's my undisputed #1 in Japan.

Time arrived, we headed back out to the Alice theatre, though not before stopping at a Lawson to grab some cans of chuuhai, where the whole place was decked out in really pale blue/green, for Hoshi Aina's birthday. Dean's favourite Ayaka had designed a shitload of banners and things for it, and there were glowsticks handed out at the entrance. We went in, not sure what to expect from an Alice birthday crowd. It was, quite obviously, highly partisan. The number of Aina tshirts in attendance was rather large, quite possibly 75% of the audience. The lights went down and the music began, and out came Kamen Joshi. Weird to start with the merger of the three biggest groups, but oh well. The crowd were well into it and they ripped through a few crazy songs to start, before blowing everyone up with Natsu Da Ne, and then singing Happy Birthday (the Alice version) to Aina, who was standing on the balcony above the crowd. The crowd kecha'd the fuck out of Aina and basically ignored Kamen Joshi.

The concert continued in the same vein, with the crowd focusing their wotagei entirely at Aina instead of whichever group was on stage. We had Armour, Game and Steam Girls and Alice Juban put in their best efforts, and all of them gave amazing performances which hardly anyone watched. They were busy looking at Aina, wotageiing each other or running around in circles. Obviously, for the MCs everyone still had to sit down so no one could see Aina, so people still did the "stand up for your group oshi" thing. Once again my gaze was stolen by Jun in Armour Girls, and Nanaka in Alice Juban. Also once again, Tomoe didn't perform with Steam Girls, so I've still not seen my oshi in that group perform. Game Girls still didn't get me excited (I got a drink during them, then couldn't sit down during their MC because there was no room in front and no room behind due to a table, so all the fans were glaring at me. Eventually I had to squat). Alice Juban also finally bust out the stagediving. Was lucky fans were paying attention at that juncture, otherwise they'd have gone thud rather loudly...

When at last it was Oz's turn to perform, the crowd went all crazy and it was weird wotagei time again. The live went off without a hitch, and Ayaka read out a long-assed letter in the middle of a song to Aina. Her cake was also fucking huge. She kept eating bits of it whilst everyone was wishing her happy birthday. She also got to ride in the crowdsurf boat and had everyone kecha her there as well. Either way, it was an amusing live.

Afterwards, of course, came the ultimate polaroid thingy again. Dean went up to get his Ayaka one, luckily there weren't many people in the "everyone else line", but there were bloody loads in the Hoshi Aina-only line. I debated for a while what to do, as I wasn't sure if I could take another dose of Nanaka's coldness, and Jun had impressed me quite a lot. Ayaka had also followed me on twitter for some reason so I figured I could troll Dean and do that as well. As I was queuing, eventually I decided on all of them, the guy who takes money in front of the stage yelled over to Dean in crappy English, "You, two, three girl, 二千円!" I think the guy had a fondness for trolling Dean, apparently he still does it now.

Dean ignored him, he's only ever focused on Ayaka. I went for Nanaka, Jun and Ayaka together, and then apparently completely ignored Ayaka. Wasn't on purpose. I told her it was Dean's recommendation, but maybe she didn't hear. Nanaka told Jun I was from the UK, to which Jun tried speaking in English. I let her struggle for a bit, then just said "Japanese is fine though" in Japanese. She tsukkomi'd the fuck out of me, "日本語で良いのかい!?" I have a feeling if she'd had a harisen to hand I'd have got a smack around the back of the head with it. Made me laugh anyway.

They took the picture and I spoke some more to Nanaka and Jun, whilst Nanaka signed it (she regained enough to continue as my oshi, though Jun's nipping at her heels).



I also love that Alice Juban's centre, Tachibana Anna, sort of photobombed it in the background there, randomly holding her tits. Jun also seems to be doing some sort of Chai Maxx thing.

Either way, fun times over, Dean moped that he had no money left for another twoshot with Ayaka. Feeling sorry for him, as well as slightly rich after my returned deposit, I lent him some money for another one. After this it all went weird as a photographer climbed up a precarious ladder and took photos of all of Alice Project, and then with a bunch of fans as well. It ended brightly.

After the show I had to head back to Akiba station so I could grab my nightmarishly heavy fucking bag and drag it back out into Akiba so we could take the tube out to Watanabe's place, where I was going to crash for the night before getting up for the plane in the morning.

As we arrived, we had to walk quite far and carry my bag up quite a lot of stairs. Then we had to walk about 3 times further than we should have because for some reason steps had been replaced elsewhere with the easiest gradient disabled ramp I've ever seen. After then going up and down another pointless staircase which seems to have been created merely to piss people off, we arrived at Watanabe's.

We sat down, I met Watanabe's roommate, some really weird but cool guy called Suzake or something, and we started drinking all the beers I'd bought the previous monday. Some were quite strong, some quite good, and all of them got finished. I handed over all my remaining 9nine CDs to Watanabe to keep safe (and give out to other foreign wota he takes an interest in), and then we sat and chatted until about 12:30 when we realised we'd better eat something soon, and the last pizza place closed at 1am. Suzake ordered some pizza from Dominos, but they didn't deliver. So, slightly tipsy, Dean and I took possession of some bikes and headed out on a quest to find it. Riding a bike through Tokyo at 1am is a weird thing to do, especially as Japanese bikes are fucking awful to ride.

I've long had a theory that even though everyone in Japan has and uses bikes, barely any of them know how to use them. Having now ridden one, I can say it's because who the fuck would fit racing bike tyres on general work bikes? You need at least 4 or 5cm of tyre, not 2cm.

Anyway, we eventually got to the pizza place and I don't think we were what he was expecting when he saw "Suzake" on the order. We got our pizzas, paid and then fucked off back to Watanabe's, stopping only for some coke.

Having eaten the pizza and watched some random assed shit on TV (BiS' Tentenko being dryhumped) and some Momoclo lulz, I went to sleep on half a futon that I couldn't be bothered to unroll.

Sunday 23rd May

I awoke at 6am to no sounds whatsoever. I knew I had to get up, I had a plane to catch. I went back to sleep. At 7am I was like, "Oh shit," ran to the bathroom, brushed my teeth, obviously woke Watanabe up in the process, and then kicked Dean a few times to tell him I was going. He woke up, but only when Watanabe invited him to a Lyrical School event that afternoon. Realising I was gonna get no joy from him, I whacked on my bag and left, thanking Watanabe for the evening's free kip.

Heading back out under the warm, sunny sky on very little sleep, I struggled my way back to the underground station with my bags and then caught a train to a place I'd only briefly heard the name of to get to Tokyo. Unfortunately I missed it, and ended up getting off and Jinboucho and going back in the other direction. Once I'd switched to the Marunouchi line and hit Tokyo, I was running late, and I had to run through the station to just about reach the Narita Express in time.

I hadn't reserved a seat, which annoyed all the Chinese passengers, so I just sat anywhere and dozed a bit, buying practically everything off the train cart when it wheeled past. I got to Narita and just about crashed, but managed to avoid it in time to just about get to where the Virgin Check In Desk was.

After waiting in the baggage drop queue (waiting to Check-in is such a 20th Century thing), they realised the check in idiots would be forever, so they directed me to first class to drop my baggage at. The woman who attended me was rather cute, and when she mispronounced my last name (which everyone does, but I can't abide it when it's a cute woman) I corrected her in Japanese. From then on she decided to do the whole baggage drop process in Japanese, and was genuinely nice. Probably because some random gaijin learned Japanese, I guess, but I don't think I've ever met a nice attendant before.

Having left my bag at the bag drop desk, I hurried through security and emigration so I could get to the gate, as it had already been announced (unlike Heathrow, where they announce it about 30 mins before you're supposed to be on the plane). As soon as I sat down, my nose erupted. Probably no one remembers, but 4 years ago in my London post I had the most epic nosebleed ever. This topped it, and by the time I'd stemmed it (having got through a whole box of tissues, bought some more, and got through half of those too), I looked like I'd been through a few boxing matches. Rushing to the bathroom to get rid of the blood, it then started again. Bloody blood pressure.

Unfortunately not barred from catching the plane, I boarded and sat down, and then watched six films during the 12 hour flight. Luckily this time Virgin let you start the film at the beginning when you tried to watch it. Sort of content, I arrived back in the UK knackered, and dead, and raring to go back to Japan at the soonest opportunity.

Having experienced both major and (really) underground idols, I think at the moment I'm going to be focusing on the underground. Obviously, it's far harder to consume from abroad, but it's more satisfying to talk to idols for minutes rather than seconds, and to watch something in its formative stages than when it's already become a victim of the corporate machine.

So, yes. Another fucking huge post completed. 10000+ words. Disturbing. Hopefully I'll get to write another one sooner or later. Hopefully this time it won't be another 6 years before I go back. But either way, it was an epic journey. Here's to all of those who contributed.
 

Pozdrav fuckers.